Letra aladdin: ALADDÍN – UN MUNDO IDEAL – Disney

Letra aladdin: ALADDÍN – UN MUNDO IDEAL – Disney

ALADDÍN – UN MUNDO IDEAL – Disney

ALADDÍN – UN MUNDO IDEAL – Disney – LETRAS.COM

Home Kids Disney Aladdín – Un Mundo Ideal

Yo te quiero enseñar
Este mundo espléndido
Ven, princesa
Y deja a tu corazón soñar

Yo te puedo mostrar
Cosas maravillosas
Con la magia de mi alfombra
Vamos a volar

Un mundo ideal
Será fantástico encontrar
Nadie que diga no, o a dónde ir
A aquellos que se aman

Un mundo ideal
Tan deslumbrante y nuevo hoy
Donde ya vi, al subir, con claridad
Que ahora en un mundo ideal, estoy
Ahora en un mundo ideal, estoy

Fabulosa visión
Sentimiento divino
Baja y sube
Y vuela hacia celestial región

Un mundo ideal (mira bien lo que hay)
Allí mil cosas voy a ver (conteniendo el aliento)
Soy como azul estrella que se va
Y nunca será igual, ya, otra vez

Un mundo ideal (cada vuelta es sorpresa)
Un horizonte nuevo a abrir (cada instante, un relato)
Hay que seguir, sin fin, hasta el confín
Juntos, en un mundo ideal, tú y yo

Un mundo ideal
Un mundo ideal
Que compartir
Que compartir
Que alcanzar
Que contemplar
Tú junto a mí


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    1. Aladdín – Un Mundo Ideal
    2. Pocahontas – Colores En El Viento
    3. Enredados – Mi Sueño Ideal
    4. Encantada – Beso de Amor
    5. Moana – Cuán Lejos Voy
    6. Encantada – Y Tú Sabrás
    7. Moana – De Nada
    8. Moana – Brillo
    9. A Princesa e o Sapo – Evangeline
    10. Toy Story – Yo Soy Tu Amigo Fiel
    11. Encantada – Tan Cerca
    12. Cinderella – So This Is Love
    13. Anastasia – Una Vez En Diciembre
    14. Moana – How Far I’ll Go
    15. Hércules – No Diré Que Es Amor (Versión en Español Latino)

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    Aladdin – LETRAS.

    COM (60 canciones)

    Aladdin – LETRAS.COM (60 canciones)

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    1. A Whole New World
    2. Speechless (Full) (2019)
    3. Un Salto Adelante
    4. Un Amigo Fiel (2019)
    5. Arabian Nights (2019)
    6. Um Mundo Ideal (2019)
    7. Príncipe Ali
    8. Ce rêve bleu
    9. Friend Like Me
    10. A Noite da Arábia (2019)
    11. Nunca Teve Um Amigo Assim (2019)
    12. Correr Para Viver
    13. Desert Moon
    14. Príncipe Ali (2019)
    15. A Whole New World (1992) (Japanese Version)
    16. Ein traum wird wahr

    All songs Translations Tabs

    #

    A

    B

    C

    D

    E

    F

    G

    H

    I

    J

    K

    L

    M

    N

    O

    P

    Q

    R

    S

    T

    U

    V

    W

    X

    Y

    Z

    A

    • A Whole New World
    • A Whole New World (1992) (Japanese Version)
    • A Whole New World (2019)
    • Arabian Nights
    • Arabian Nights (2019)
    • Arabiens Nat

    C

    • Ce rêve bleu
    • Correr Para Viver (2019)
    • Correr Para Viver (Reprise 2) (2019)
    • Correr Para Viver (Reprise)
    • Desert Moon

    E

    • Ein traum wird wahr
    • Entre Para o Nosso Time
    • Et Helt Nyt Liv

    F

    • Father And Son
    • Forget About Love
    • Friend Like Me
    • Há Uma Festa Aqui Em Agrabah
    • Hi Wa, Mata Noboru

    J

    • Je Suis Ton Meilleur Ami
    • Nada Vale Mais do Que Um Amigo
    • Ninguém Me Cala
    • Ninguém Me Cala (Parte 1) (2019)
    • Noite da Arábia
    • Nothing Like a Friend
    • Nuits d’arabie
    • Nunca Teve Um Amigo Assim (2019)

    O

    • O Retorno de Jafar: Eu Vou Tratar de Mim
    • One Jump Ahead
    • One Jump Ahead (Reprise 2) (2019)
    • One Jump Ahead (Reprise)
    • Out Of Thin Air

    P

    • Party In Agrabah, Part 2
    • Prince Ali
    • Prince Ali (2019)
    • Príncipe Ali
    • Principe Ali (Reprise)

    S

    • Speechless (Full) (2019)
    • Speechless (Part 1) (2019)
    • The Legend Of The Lamp
    • To Be Free

    U

    • Um Mundo Ideal
    • Un Amigo Fiel (2019)
    • Un Salto Adelante

    V

    • Vai Ser Sim Ou Não?
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      Truth and lies in the cartoon “Aladdin” • Arzamas

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      CourseHistory of Islamic CultureAudiolecturesMaterials

      What can be learned about Islamic culture from a Disney fairy tale: Renat Bekkin, an expert in Islamic law – Sharia, comments

      Did the city of Agrabah exist and could the Sultan’s palace look like this?

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      The cartoon about Aladdin is permeated with orientalist images and myths. However, with the literary fundamental principle, that is, the fairy tale about ‘Ala ad-din’ Here and further: the name of the hero of the fairy tale is ‘Ala ad-din, and the cartoon character is Aladdin., not everything is so simple. Some researchers attribute its authorship to Antoine Galland (1646–1715), a French writer and Orientalist, the author of the first translation of the Thousand and One Nights in the West. In the fairy tale about ‘Ala ad-Din and the magic lamp from this collection (in the classical translation by Mikhail Salye), it is said that the main character lived “in one city from the cities of China”. Other translations say that ‘Ala ad-din, the son of the tailor Hasan, lived “in a Persian city.” In the tale of Salye’s translation, the name of the city where ‘Ala ad-din lived is Kalkas. Such a city did not exist, just as Agrabah did not exist – the fruit of the fiction of the cartoon writers.

      Agrabah is a kind of abstract oriental city, the epitome of the luxury of the East. The silhouettes of the Sultan’s palace may vaguely resemble the Taj Mahal mausoleum in Indian Agra, and then the cartoon Agrabah will seem like a distorted name of a real city. As for the architecture of the palace, in reality it largely depended on the purse and taste of the construction customer. Without an exact reference to the era and locality, it is difficult to argue whether the palace of the ruler could look like it is shown in the cartoon, or could not.

      Who is a sultan and how does he differ from a caliph?

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      We found out that the action of the cartoon takes place in an abstract eastern city. A sultan rules there – a secular ruler. Why not caliph or emir? In its original, Koranic meaning, the term “sultan” (from Arabic – “power, might”) meant the political power of the ruler (including the caliph, that is, the governor of the Prophet, who had spiritual power over his subjects). Starting from about the 11th century, in the Muslim legal doctrine, the sultan began to be understood as the secular ruler of a Muslim country. In 1055, when the Seljuk sultans subjugated Iraq, they appropriated to themselves not only the functions of secular power, but also some powers of spiritual power (for example, control over the activities of the court, which was the prerogative of the caliph). In the Ottoman Empire, starting from the 16th century, the sultan acted in the eyes of Sunni Muslims not only as a secular, but also as a spiritual ruler. Thus, in essence, the Ottoman Empire was comparable to the Caliphate, although it was not officially called that. In the modern world, a state whose supreme ruler is a sultan is called a sultanate. In addition, the secular rulers of independent and semi-independent Muslim countries could be called emirs (amirs), wazirs, etc. Sometimes the titles of rulers could change as the state strengthened. Thus, the legendary conqueror of the Crusaders Salah ad-Din (Saladin) was originally called the Grand Wazir (Vizier) of Egypt, and then took the title of Sultan.

      Could vizier Ja’far claim the throne of the sultan?

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      The prototype of Ja’far in the cartoon could be Ja’far ibn Yahya Barmaki (767–803), the vizier (wazir) of Caliph Harun ar-Rashid. He gained great influence under him, but then fell out of favor and was beheaded on his orders. True, the historical Ja’far has little in common with the cartoon character, except perhaps a long neck.

      If the real Ja’far did not and could not have a desire to become a caliph (he did not belong to the descendants of the uncle of the Prophet Muhammad – ‘Abbas), then the cartoon character could well claim the throne of the Sultan. However, no matter how influential the vizier was, he could not easily come to the ruler when he wanted, as shown in the cartoon. The ruler received the vizier on special days or, if necessary, could call at odd hours. The reception of the vizier was accompanied by a certain ceremony. The vizier could not just stand and have a casual conversation with the head of state. He had to sit in front of his sovereign, and his seat had to be below the throne of the ruler. In the cartoon, Jafar does not have an important attribute – an inkwell, an item that the vizier wore himself or ordered his servant to wear.

      Could a princess dress like that?

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      Sultan’s daughter dressed as a Hollywood actress playing a belly dancer. Jasmine could well walk like this in a harem, but to freely walk around the palace in this form and show herself to strangers, including potential suitors, is, of course, an impossible thing. In the tale, the acquaintance of ‘Ala ad-din with the daughter of the Sultan Badr al-Budur takes place as follows: the princess goes to the bathhouse, and all merchants whose shops and warehouses are on her way are ordered to close them that day and not go out into the street. When the princess entered the bath, she lifted the veil, and only then ‘Ala ad-din, who had taken refuge nearby, could see her face.

      Was there really a marriage law?

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      The Sultan can decide the fate of any of his subjects, including his own daughter. True, for this he does not have to formalize his decision in the form of a decree. He can simply order her orally to perform this or that action. The thesis that “only a prince can marry a princess” cannot be an immutable rule. Usually, Muslim rulers had many children from numerous wives and concubines. Therefore, if you marry them or give them in marriage only to princes or princesses, there would not be enough royal blood for them on earth. Important criteria in choosing a groom for the daughter of the Sultan were nobility, influence and wealth. And of course, it could only be a Muslim.

      When at the end of the cartoon the sultan announces his will: “Am I a sultan or am I not a sultan? From now on, the princess is free to marry whomever she wishes, ”this does not contradict the historical truth: the sultan could cancel his own decree. According to the Muslim legal doctrine, only the Divine law (Sharia) cannot be changed, and human decisions can and should change with the change of time and circumstances.

      Could the daughter resist the will of her father?

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      “Father, don’t force me,” Jasmine says to her father, and indeed, a Muslim girl could theoretically answer like that. Of course, everything depends on the relationship of a particular father and a particular daughter, the legal tradition followed by the cartoon characters, and other factors. For example, according to the rules of one of the schools of Muslim law – Hanafi madhhab Hanafi madhhab is one of the four theological and legal schools in Sunni Islam. Named after the jurist Abu Hanifa (699-767). Most Muslims in Russia are adherents of the Hanafi madhhab. – when entering into a marriage, the consent of the bride is required if she has reached the age of majority. Jasmine can express her disagreement or agreement with the suitors proposed to her. But if the daughter’s decision to choose her husband herself conflicts with Sharia, then in any case, father’s intervention will be required – for example, if Jasmine wants to marry a person with whom marriage is unacceptable according to Sharia (non-Muslim, close relative).

      Is it true that one could lose an arm for a crime?

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      In the cartoon, Aladdin steals a bun from the market to feed himself and a monkey, and Jasmine is suspected of stealing an apple. One of the most enduring myths relating to the world of Islam is associated with these episodes. A picture pops up in the mass consciousness: he committed a theft – he lost his arm or part of it. In Muslim law, there is indeed such a sanction as amputation of a hand for a crime called sarika . The Qur’an says: “Cut off the hands of the thief and the thief” (5:38). But for the application of this sanction, a number of conditions were required:

      1. The goods must have been stolen from a place where the thief does not have free access (that is, it must be a burglary). And it is no coincidence that the term “product” is used here. If the stolen thing is taken out of circulation, that is, it cannot be sold and bought by virtue of the law, then, consequently, it is impossible to qualify its theft as sarika . For example, wine is prohibited by Sharia and therefore is not considered as a commodity. Even if Aladdin had stolen a whole tank of wine, it would have been a different crime, but not sarika .

      2. The value of goods must not be less than the amount established by law. It is unlikely that the cost of the roll stolen by Aladdin was higher.

      3. The theft must be committed from the place where the stolen thing should have been (for example, if you took a valuable book in the closet, where someone carelessly left it, and not in the library or in the office, then this crime cannot be qualified as sarika ).

      Thus, according to all the main features, the theft of a bun or an apple in a cartoon cannot be qualified as sarika , which belongs to the category of especially dangerous crimes. In addition, even if the crime committed by Aladdin could be attributed to sarika , the guards should have taken him to the judge ( qadi ) or the person called to watch the order in the market – muhtasiba , and not lynch . The judge would most likely classify Aladdin’s crime as a category ta’zir Ta’zir (from Arabic – “withholding”) – a category of punishments in Muslim tort (criminal) law imposed for crimes that are not classified as the most socially dangerous acts (that is, infringing on the very foundations of Islamic society). and would have given him corporal punishment, imprisonment, or something else, but not amputation of the hand. The same can be said about the “crime” allegedly committed by Jasmine.

      Oriental bazaar – are these really low quality goods?

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      This is another orientalist image used by the authors in the cartoon. Oriental bazaar is a whole world. Accordingly, you can find everything there – from low-quality goods to real works of art that belong in a museum.

      Does the lamp that the genie lives in look like a teapot?

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      The oil lamp is the oldest lamp used as far back as the Paleolithic era. Oil was poured into the lamp, then the lid was closed, and the wick (in the form of a rope made of vegetable or artificial fibers), passed through the lamp spout, was lit. In the tale of ‘Ala ad-Din, the genie lives in a copper lamp. The jinn themselves, according to Islamic doctrine, are created from fire, and the lamp is quite a comfortable environment for such creatures.

      The genie from a fairy tale is similar to the genie from Muslim demonology?

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      Strictly speaking, there are at least two genies in the tale of ‘Ala ad-Din. Both are marids . Genies of this variety are of enormous growth and possess phenomenal magical abilities.

      One of marids (the one who lives in the lamp) addresses ‘Ala ad-din with the words: “I am submissive and obedient to the one in whose hands the lamp is, and I am not alone. But all the servants of the lamp are obedient and obedient to him.” At the end of the tale, when ‘Ala ad-din, having succumbed to the deception of the brother of the Maghreb sorcerer, demands from the genie, the slave of the lamp, to get him the egg of the Rukh bird, curious details come to light. Firstly, not only the marid that appeared before him worked for ‘Ala ad-Din, but also the numerous genies who lived in the lamp. And, secondly, despite the fact that the jinn is the slave of the lamp and the one who owns it, there is a higher authority that has the right to veto the decisions of ‘Ala ad-Din, the Rukh bird. Thus, the authors of the cartoon were not so far from the truth when they pointed out that the possibilities of a single genie are not unlimited.

      Could there be yogis and sword swallowers on the streets of a Muslim city?

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      The Muslim world knew about yoga, so the presence of yogis in the cartoon is generally acceptable. The ritual of walking on coals was known to different peoples and religious groups of antiquity and the Middle Ages. For example, the Shiites had the practice of walking on coals on the Day of Ashura (the day of mourning for Imam Hussein and his dead companions). As for the swallowers of stabbing and slashing weapons, this art has also been known since antiquity, and it is quite acceptable that the cartoon characters watched this kind of performance.

      Where does the flying mat come from?

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      In Muslim demonology, the carpet serves as a dwelling place for the most powerful beings of the genus of jinn – ifrits . However, it is unlikely that the authors of the script invested some hidden meaning when they thought over the image of the carpet. The flying carpet (not as an independent character, of course, but as a means of transportation) is found in the folklore of the peoples of the Near and Middle East. So, for example, according to legend, King Solomon had a flying carpet. Subsequently, he allegedly presented it to the Queen of Sheba.

      Could Aladdin wear a fez and a vest?

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      This is apparently a joke from the writers of the script. The fez became widespread in the Muslim world in the second half of the 19th century, after it was introduced as a headdress for the military under Turkish Sultan Mahmud II in the late 1820s. As for the vest, it became widespread a century earlier – thanks to the French.

      Could chess be played in a Muslim country?

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      At first, Muslim theologians were not very fond of this game, but over time it took root. Chess players, carried away by the game, should not have missed the prayer time. It was also not allowed to play for money and bets. Chess was also played at the court of the caliphs. Some figures managed to make a career thanks to their mastery of the art of playing chess. Chess is also mentioned in the tale itself. They are played by the inhabitants of the fabulous city where ‘Ala ad-din lived.

      Did Aladdin’s contemporaries really see the pyramids and the Parthenon?

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      Theoretically, Aladdin and his contemporaries could see the pyramids: according to the historian al-Kaisi, at the beginning of the 9th century, Caliph al-Ma’mun (786-833) visited the Great Pyramid (the pyramid of Khufu, or Cheops). But modern historians consider the information about the expedition of the caliph to the pyramids of Giza a legend. Al-Ma’mun is also credited by legend with an unsuccessful attempt to destroy the Pyramid of Menkaure.

      The Parthenon in the 9th-10th centuries was also not hidden from human eyes, unlike another “tourist site” in the cartoon about Aladdin – the Forbidden City in Beijing. This architectural complex was built only in the 15th century.

      Is the story of Aladdin’s matchmaking true?

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      In Aladdin’s matchmaking – as it is presented in the cartoon – nothing reminds that it takes place in a Muslim country. In the fairy tale ‘Ala ad-din sends his mother to the palace to the ruler with the task of wooing a princess for him. In the cartoon, Aladdin’s mother is not among the characters at all. Aladdin could entrust the role of the matchmaker to the genie, but he does not do that either. The father of the bride in the cartoon is the last to know about the intentions of the two lovers, while he should have known about Aladdin’s plans before Jasmine herself.

      Nothing is said in the cartoon about the size of the marriage gift – mahr , which, according to Sharia, the future husband must give to his wife after marriage. The payment of mahr is a prerequisite for a Shariah marriage and the amount must be agreed upon in advance. Finally, even if the princess agreed to marry “prince” Ali Ababwa (under whose mask Aladdin is hiding), then this marriage would be invalid, since there was a misleading (whether voluntary or involuntary) of the opposite side.

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      Truth and lies in the cartoon “Aladdin”

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      Marketing News magazine, No. 9, September, 2019

      Expert commentary by Elena Krapivina, internet marketer at Aladdin R.D.

      Like everywhere else, first impressions are very important in marketing , and when it comes to e-mail marketing, it is a key factor. And in this case, the impression of you is formed based on the title of the letter that you sent to the user. How to make header work? How to arouse the interest of the addressee, capture his attention and make him open the letter? These questions will be answered by our experts.

      To convey your idea to the client, first you need to motivate him to open the letter, to attract his attention.

      Now the audience has become more legible, and if “loud” email headers used to work, now people are attentive to the information sent to them and try to get rid of unnecessary informational noise. Business people do not have time to solve “charades” – they need the whole essence of the issue at once. If your company already has a certain status and importance among customers, this means that your letters will be read regardless of the “sharpness” of the title. However, if the audience is just learning about you, then you will have to try and put maximum effort into a concise, understandable presentation of the subject of the letter.

      The first thing your subscriber sees in the mail service: the sender’s name, the title of the letter and the preheader (the preview of the letter is visible and invisible). It is impossible to consider only one headline, you must approach the motivation of the client in a complex way, so we will consider all three first and main components of the letter.

      Sender’s name: everything is simple here and there are only 2 options – the name of the company or the name and surname of a specific person, depending on which person you are addressing the reader in this letter. When a letter contains general information about your company (news, digest, notifications, events), it is logical to indicate the name of the company. It is more rational to send an invitation to an event that will be conducted by a specific employee of the company or a letter with an author’s article from a specific person. Indicating both the company name, and the name, and the position is not worth it in any case, since this will not be visible due to the limitation of mail services by the number of characters in this field. A convenient way out is to introduce yourself at the end of the letter.

      The main purpose of the heading is to encourage discovery, arouse interest in reading the entire letter. It can be an intrigue or a provocation, ordinary news or a “quote” – it depends on the business area and the target audience, there are many formats.

      We mainly use laconic titles that correspond to the content of the letter, for example, “Webinar on…”, “News digest…”, etc. We also conduct experiments, gradually adding emoticons that are matched to the subject of the letter and are directly related to the content of the newsletter. Thus, we increased the open rate by 20%. The most important point is to strike a balance between attracting attention and causing irritation. Emoticons and the subject of the letter should be the same, reflect the same essence and correctly place accents.

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