Perro detective: Sherlock: el perro detective (película 1994) — Tráiler. resumen, reparto y dónde ver. Dirigida por Richard Harding Gardner

Perro detective: Sherlock: el perro detective (película 1994) — Tráiler. resumen, reparto y dónde ver. Dirigida por Richard Harding Gardner

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de 15

320 years of «The Tales of My Mother Goose» by Charles Perrault

Who is the author of the fairy tales «Cinderella», «Sleeping Beauty», «Little Red Riding Hood»? Ridiculous question, you say: every child knows that they were written by the great storyteller, children’s writer Charles Perrault. But behind the pages of «The Tales of My Mother Goose» there are secrets and mysteries: the name of Charles Perrault on the cover of «Tales …» first appeared only 27 years after the release of the first edition of the book, and they were not intended at all for children’s reading. And Charles Perrault was never a children’s writer.

Charles Perrot. Puss in Boots: A fairy tale for children / with colorized pictures. — M.: chromolith. A. V. Morozova, type. Bakhmeteva, 1873 (reg. 1872). — 6 s., 6 l. col. ill.

Fairy tale detective

an exhibition currently taking place at the Book Museum of the Russian State Library.

Charles Perrault (fr. Charles Perrault; January 12, 1628, Paris — May 16, 1703, Paris) was a famous poet in France during the time of the “Sun King” Louis XIV, a critic of the classicism era, a member of the Royal Academy of Inscriptions and Medals (Academy of Inscriptions and belles-lettres), academician of the French Academy, public figure and . .. author of fairy tales. True, these tales — «Griselda», «Funny Desires» and «Donkey Skin» — were in verse, and Charles Perrault did not hide his authorship. But he never called himself the author of «The Tales of My Mother Goose». There are 179 of themIn the year 6, it was presented to Princess Louise Elisabeth of Orleans by Pierre Darmancourt, son of Charles Perrault, on his own behalf.

Was a nineteen-year-old boy the author of these tales? Each of the eight stories — Cinderella, Sleeping Beauty, Ricky with a Tuft, Puss in Boots, Little Thumb, Little Red Riding Hood, Bluebeard, Fairy Gifts — was accompanied by two morals explaining the moral contained in the tale. And researchers believe that a young man could not write such moralizing. For example, the admonition to the fairy tale about Little Red Riding Hood (by the way, in the original the fairy tale did not have a happy ending: the wolf simply ate the gullible and overly talkative girl) sounded like this: “When a beautiful and young girl, moreover, will listen to everyone willingly, she will soon be deceived. And then, in the same way, it may soon happen, as it is written in this fairy tale: that the wolf will eat her; for wolves are not all wild, there are a lot of their genera. They seduce many beautiful and trusting girls with their gentle words, trying to please other girls with their courtesy and cheerful appearance. They escort them to the very houses, and sometimes even to the bed. Such flatterers, such hypocrites, should be removed more than others, if someone does not want to be deceived. (Tales about sorceresses: With morals / Translated from French [by Lev Voinov]. — St. Petersburg: Senat. type., 1781).

Charles Perrot. Puss in Boots: A fairy tale for children / with colorized pictures. — M.: chromolith. A. V. Morozova, type. Bakhmeteva, 1873 (reg. 1872). — 6 s., 6 l. col. ill.

There is an opinion that Charles Perrault, having given his book to Pierre, helped his son make a career at court, take a place in the retinue of the Princess of Orange — and this was a great way to draw attention to the young man. Other experts believe that Pierre Darmancourt himself wrote down the tales that the nurse told him, and his father only helped him with advice and literary processing. Another option is a classicist, an “immortal” academician, a respected literary figure who could not stoop to a low genre, which was a folk tale, and spoke under the name of someone who has nothing to lose.

Be that as it may, in 1697 My Mother Goose’s Tales were published, first in France and then in Holland. The book was so popular that during the year the publisher repeated the circulation three times! The fairy tale came into fashion, burst into the literary salons of high society and ceased to be a low genre. However, the secret of the real author of fairy tales remained a secret. In 1699, Pierre Darmancourt died, in 1703 his father passed away, but not once, listing his works, did Charles Perrault mention «Stories and Tales of Bygone Times with Teachings».

Publishers began to include in the collection «Donkey Skin» and «Griselda» by Perrault, fairy tales of followers and imitators (for example, «Beauty and the Beast» by Gabrielle-Suzanne Barbeau de Villeneuve or her own in the version of Jeanne-Marie Leprince de Beaumont). The book instantly spread around the world, translated into many languages. Often the author was not indicated at all — just as his name was not on the very first edition of 1697. And in 1727, the name of Charles Perrault firmly settled on the covers — and we, without a doubt, call him the author of our favorite fairy tales from childhood.

Charles Perrot. Puss in Boots: A fairy tale for children / with colorized pictures. — M.: chromolith. A. V. Morozova, type. Bakhmeteva, 1873 (reg. 1872). — 6 s., 6 l. col. ill.

Not trifles at all!

Head of the sector of museum and exhibition work of the research department of rare books (Book Museum), exhibition curator Maria Borisovna Zolotova says: “The purpose of our exhibition is to remind about this wonderful date and show how diverse these fairy tales were in different editions and how different they looked at different times. We wanted to show the book in all forms, types and types — adult editions, older children and toddlers.» In the exposition of the mini-exhibition, there was a place for scientific editions of fairy tales with comments and forewords by literary critics — and toy books. Different translations, different publishers and publishers, pre-revolutionary publications, publications of the Soviet period and recent times… And all this is a rarity, each of which is interesting in its own way and beautiful in its own way.

For the first time «Tales…» were translated into Russian in 1768. You will not see the first edition at the exhibition, unfortunately, it is not in the stock of the Russian State Library. But you will see the second one: “Tales about sorceresses: With morals / Translated from French [by Lev Voinov]. — St. Petersburg: Senate. type., 1781″. This collection includes nine fairy tales: «Fairy tale 1. About a girl in a red cap», «Fairy tale 2. About charmed girls», «Fairy tale 3. About a certain man with a blue beard», «Fairy tale 4. About a beauty sleeping in the forest», » Fairy tale 5. About the father cat in spurs and boots», «Fairy tale 6. About the trough in which the ashes are kept», «Fairy tale 7. Ricket in a braid», «Fairy tale 8. About the Boy with a finger», «Fairy tale 9. A letter from a skilful princess to Countess Murat» (the author of the last tale is Marie-Jeanne Léritier de Villandon).

The author’s surname is not on the 1781 edition. But the collection of 1825 is signed: “Fairy tales, or Pleasant occupation from nothing to do. / Op. Perolta; From which are taken operas and ballets presented at the imperial theaters; Translated from the French Imperial Moscow Theater by the actor Baranov. — Moscow: In the printing house of August Semyon, 1825. Take a closer look at this book monument: handmade paper, manual typesetting, hand-colored illustrations.

Charles Perrot. Puss in Boots: A fairy tale for children / with colorized pictures. — M.: chromolith. A. V. Morozova, type. Bakhmeteva, 1873 (reg. 1872). — 6 s., 6 l. col. ill.

One showcase — “Six fairy tales. A Gift to Kind Children», an 1845 edition («Cinderella» is called very funny in this collection — «Chumichka») and the famous 1867 edition of the printing house of Matvey Osipovich Volf «Perrot’s Fairy Tales». The fairy tales were translated by Ivan Sergeevich Turgenev, he also owns the preface to the publication, and the illustrations are based on the magnificent engravings of Gustav Doré.

Here is what Ivan Sergeyevich Turgenev writes in the preface: “Perrault’s fairy tales deserve an honorable place in children’s literature. They are cheerful, entertaining, relaxed, not burdened with either excessive morality or the author’s claim; they still feel the spirit of folk poetry, which once created them; they have precisely that mixture of the incomprehensible-wonderful and ordinary-simple, sublime and funny, which is the hallmark of a real fairy-tale fiction.

This book is addressed rather to adults, like the serious edition with scientific comments 1936 years of the Leningrad publishing house Academia. But there are more children’s books at the exhibition «Not at all trifles» — toy books, fairy tales with illustrations by Vladimir Mikhailovich Konashevich, Pyotr Alexandrovich Alyakrinsky, Georgy, Alexander and Valery Traugotov, signed «G. A. V. Traugot. And the book Puss in Boots and Eight More Fairy Tales by Charles Perrault, published in 1996 by the Vedo publishing house, is interesting in that it was illustrated by children — students of the Volgograd Children’s Art Gallery.

The name of the exhibition is taken from Charles Perrault’s statement about fairy tales. This is what this great man, who gave impetus to the development of literature for children, said: “… These trinkets are not trinkets at all, but contain useful morality, and […] the playful narrative was chosen only so that they act on the mind reader with more pleasantness, teaching and entertaining together. »

Charles Perrot. Little Red Riding Hood / Perro Sh. — Baku: People’s Commissariat of Education of the AzSSR, 1940. — [8] p.: ill.


Little Red Riding Hood: / [toy book based on Ch. Perrault’s fairy tale]. — [M .: T-va I. D. Sytin, beginning of the 20th century]. — [4] l. : ill.

«Little Red Riding Hood, come on, my friend,
Take the pie to our grandmother!

The girl immediately took the basket,
Fun to grandmother went to the forest.

Suddenly a she-wolf runs towards her,
Squinting sweetly, he says so:

«Darling baby, is it far, my friend?» —
“Grandma, you see, I’m bringing a pie!”

«Pull the rope,» she hears.
“Poor grandmother! What’s wrong with her?

Stretches to the grandmother with all her strength,
Then the poor wolf swallowed her.

He ate his grandmother and ate his granddaughter
Oh, you shameless, impudent impudent!

Fortunately, everything went well.
Granddaughter got off very easy,
Grandma even laughed afterwards
The wolf was punished, and rightly so.

Hunters from the forest walked past,
They saved the grandmother and child about death.
They killed the beast with an axe,
His belly was then torn open.

Little Red Riding Hood is alive again,
She promises her mother
Never go into the forest without her,
Don’t talk to the deceiving wolf.


Tales of Perrault / C fig. A.P. Apsita. — M. : V. M. Sablin, 1916. — [6], 152 p.: ill., 4 p. ill.

Knizhny Dom publishing house

Knizhny Dom Publishing House

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